The Dream of the Rood

medievalthedas:

“The Dream of the Rood” is an Old English poem. It was recorded in the Vercelli Book, which dates from the 900s, but the poem itself might be older — might be one of the oldest pieces of Old English.

Part of this poem was inscribed on the Ruthwall Cross, an eighth century cross decorated with Christian symbols. Based on this, while the author remains unkonwn, scholars suggest “The Dream of the Rood” could have been written by Caedmon or Cynewulf, well-known Old English poets.

In this poem, a dreamer dreams he meets the cross Jesus was crucified on.

For an excellent annotated text, see Jonathon Glenn’s site.

This is his translation, from 1982.

Listen! The choicest of visions I wish to tell,
which came as a dream in middle-night,
after voice-bearers lay at rest.
It seemed that I saw a most wondrous tree
born aloft, wound round by light,
brightest of beams. All was that beacon
sprinkled with gold. Gems stood
fair at earth’s corners; there likewise five
shone on the shoulder-span . All there beheld the Angel of God,
fair through predestiny. Indeed, that was no wicked one’s gallows,
but holy souls beheld it there,
men over earth, and all this great creation.
Wondrous that victory-beam—and I stained with sins,
with wounds of disgrace. I saw glory’s tree
honored with trappings, shining with joys,
decked with gold; gems had
wrapped that forest tree worthily round.
Yet through that gold I clearly perceived
old strife of wretches, when first it began
to bleed on its right side. With sorrows most troubled,
I feared that fair sight. I saw that doom-beacon
turn trappings and hews: sometimes with water wet,
drenched with blood’s going; sometimes with jewels decked.
But lying there long while, I,
troubled, beheld the Healer’s tree,
until I heard its fair voice.
Then best wood spoke these words:
“It was long since—I yet remember it—
that I was hewn at holt’s end,
moved from my stem. Strong fiends seized me there,
worked me for spectacle; cursèd ones lifted me.
On shoulders men bore me there, then fixed me on hill;
fiends enough fastened me. Then saw I mankind’s Lord
come with great courage when he would mount on me.
Then dared I not against the Lord’s word
bend or break, when I saw earth’s
fields shake. All fiends
I could have felled, but I stood fast.
The young hero stripped himself—he, God Almighty—
strong and stout-minded. He mounted high gallows,
bold before many, when he would loose mankind.
I shook when that Man clasped me. I dared, still, not bow to earth,
fall to earth’s fields, but had to stand fast.
Rood was I reared. I lifted a mighty King,
Lord of the heavens, dared not to bend.
With dark nails they drove me through: on me those sores are seen,
open malice-wounds. I dared not scathe anyone.
They mocked us both, we two together. All wet with blood I was,
poured out from that Man’s side, after ghost he gave up.
Much have I born on that hill50
of fierce fate. I saw the God of hosts
harshly stretched out. Darknesses had
wound round with clouds the corpse of the Wielder,
bright radiance; a shadow went forth,
dark under heaven. All creation wept,
King’s fall lamented. Christ was on rood.
But there eager ones came from afar
to that noble one. I beheld all that.
Sore was I with sorrows distressed, yet I bent to men’s hands,
with great zeal willing. They took there Almighty God,
lifted him from that grim torment. Those warriors abandoned me
standing all blood-drenched, all wounded with arrows.
They laid there the limb-weary one, stood at his body’s head;
beheld they there heaven’s Lord, and he himself rested there,
worn from that great strife. Then they worked him an earth-house,
men in the slayer’s sight carved it from bright stone,
set in it the Wielder of Victories. Then they sang him a sorrow-song,
sad in the eventide, when they would go again
with grief from that great Lord. He rested there, with small company.
But we there lamenting a good while
stood in our places after the warrior’s cry
went up. Corpse grew cold,
fair life-dwelling. Then someone felled us
all to the earth. That was a dreadful fate!
Deep in a pit one delved us. Yet there Lord’s thanes,
friends, learned of me,… … … . .
adorned me with silver and gold.
Now you may know, loved man of mine,
what I, work of baleful ones, have endured
of sore sorrows. Now has the time come
when they will honor me far and wide,
men over earth, and all this great creation,
will pray for themselves to this beacon. On me God’s son
suffered awhile. Therefore I, glorious now,
rise under heaven, and I may heal
any of those who will reverence me.
Once I became hardest of torments,
most loathly to men, before I for them,
voice-bearers, life’s right way opened.
Indeed, Glory’s Prince, Heaven’s Protector,
honored me, then, over holm-wood.
Thus he his mother, Mary herself,
Almighty God, for all men,
also has honored over all woman-kind.
Now I command you, loved man of mine,
that you this seeing tell unto men;
discover with words that it is glory’s beam
which Almighty God suffered upon
for all mankind’s manifold sins
and for the ancient ill-deeds of Adam.
Death he tasted there, yet God rose again
by his great might, a help unto men.
He then rose to heaven. Again sets out hither
into this Middle-Earth, seeking mankind
on Doomsday, the Lord himself,
Almighty God, and with him his angels,
when he will deem—he holds power of doom—
everyone here as he will have earned
for himself earlier in this brief life.
Nor may there be any unafraid
for the words that the Wielder speaks.
He asks before multitudes where that one is
who for God’s name would gladly taste
bitter death, as before he on beam did.
And they then are afraid, and few think
what they can to Christ’s question answer.
Nor need there then any be most afraid
who ere in his breast bears finest of beacons;
but through that rood shall each soul
from the earth-way enter the kingdom,
who with the Wielder thinks yet to dwell.”
I prayed then to that beam with blithe mind,
great zeal, where I alone was
with small company. My heart was
impelled on the forth-way, waited for in each
longing-while. For me now life’s hope:
that I may seek that victory-beam
alone more often than all men,
honor it well. My desire for that
is much in mind, and my hope of protection
reverts to the rood. I have not now many
strong friends on this earth; they forth hence
have departed from world’s joys, have sought themselves glory’s King;
they live now in heaven with the High-Father,
dwell still in glory, and I for myself expect
each of my days the time when the Lord’s rood,
which I here on earth formerly saw,
from this loaned life will fetch me away
and bring me then where is much bliss,
joy in the heavens, where the Lord’s folk
is seated at feast, where is bliss everlasting;
and set me then where I after may
dwell in glory, well with those saints
delights to enjoy. May he be friend to me
who here on earth earlier died
on that gallows-tree for mankind’s sins.
He loosed us and life gave,
a heavenly home. Hope was renewed
with glory and gladness to those who there burning endured.
That Son was victory-fast in that great venture,
with might and good-speed , when he with many,
vast host of souls, came to God’s kingdom,
One-Wielder Almighty: bliss to the angels
and all the saints—those who in heaven
dwelt long in glory—when their Wielder came,
Almighty God, where his homeland was.

(Source: mirousworlds)

"

Hwæt! Ic swefna cyst secgan wylle,
hwæt me gemætte to midre nihte,
syðþan reordberend reste wunedon!
þuhte me þæt ic gesawe syllicre treow

on lyft lædan, leohte bewunden,
beama beorhtost. Eall þæt beacen wæs
begoten mid golde. Gimmas stodon
fægere æt foldan sceatum, swylce þær fife wæron
uppe on þam eaxlegespanne. Beheoldon þær engel dryhtnes ealle,

fægere þurh forðgesceaft. Ne wæs ðær huru fracodes gealga,
ac hine þær beheoldon halige gastas,
men ofer moldan, ond eall þeos mære gesceaft.
Syllic wæs se sigebeam, ond ic synnum fah,
forwunded mid wommum. Geseah ic wuldres treow,

wædum geweorðode, wynnum scinan,
gegyred mid golde; gimmas hæfdon
bewrigene weorðlice wealdendes treow.
Hwæðre ic þurh þæt gold ongytan meahte
earmra ærgewin, þæt hit ærest ongan

swætan on þa swiðran healfe. Eall ic wæs mid sorgum gedrefed,
forht ic wæs for þære fægran gesyhðe. Geseah ic þæt fuse beacen
wendan wædum ond bleom; hwilum hit wæs mid wætan bestemed,
beswyled mid swates gange, hwilum mid since gegyrwed.
Hwæðre ic þær licgende lange hwile

beheold hreowcearig hælendes treow,
oððæt ic gehyrde þæt hit hleoðrode.

"

— The opening of The Dream of the Rood is one of my favorite pieces of poetry ever, and I’m only sorry I’m too rusty to translate it properly. But even if I could, in Modern English it loses my favorite aspect, which is the fantastic use of alliteration and assonance in Old English poetry: “Syllic wæs se sigebeam, ond ic synnum fah, forwunded mid wommum” (“Wondrous was the victory-tree, and I with sin was stained, wounded with guilt”). I AM JUST IN A PRETENDING I LIVE IN THE 10TH CENTURY MOOD TONIGHT, GUYS, WHAT CAN I SAY. (via tafadhali)
signorcasaubon:

The Great Rood, which hangs from the ceiling of the Metropolitan Cathedral and Basilica of Saint Chad, Birmingham, England, by the great A.W.N. Pugin.

signorcasaubon:

The Great Rood, which hangs from the ceiling of the Metropolitan Cathedral and Basilica of Saint Chad, Birmingham, England, by the great A.W.N. Pugin.

sebastianmorris:

On this day in 1929, Fr. Charles Neale Field, SSJE, founder of the Guild of the Iron Cross, social activist, and sometime curate of St. Clement’s Church, Philadelphia fell asleep in The Lord. May he rest in peace and rise in glory.

Father Charles Neale Field, one of the Assistant Priests sent to St Clement’s from Cowley in 1882, established the Guild of the Iron Cross for Working Men and Boys during this time, eventually drawing thousands of working men from all over the United States into its membership.  His intent was to create a “crusade against Blasphemy, Impurity and Intemperance among working men themselves” and posed the question “Are we by our lives and teachings preaching the gospel to the poor?”  The Guild was a recreational as well as a religious association.  The jovial cleric from Yorkshire established the Iron Cross Parlor and Gymnasium in 1889, and he often took large groups of boys and men for outings at various parks and places out in the country.    St. Clement’s was located near the great Baldwin Locomotive Works on Spring Garden Street and other nearby factories and workshops, so its congregation was surely made up of many working families whose fathers and sons were members of the Iron Cross Guild.
tierradentro:

“Charity of Saint Elizabeth of Hungary”, Frederic Leighton.

tierradentro:

“Charity of Saint Elizabeth of Hungary”, Frederic Leighton.

(via sebastianmorris)

carmidoll:

Edmund Blair Leighton - The Elopement 
This painting…How many stories could possibly develop from this brief scene. Is she going towards a bright future or a horrible fate? Is her lover truly willing to marry her or is he a libertine ready to walk away from her? She is hesitating, looking back to the house she is leaving. Her parents? A cruel uncle? A disinterested stepmother? So many questions. 

carmidoll:

Edmund Blair Leighton - The Elopement 

This painting…How many stories could possibly develop from this brief scene. Is she going towards a bright future or a horrible fate? Is her lover truly willing to marry her or is he a libertine ready to walk away from her? She is hesitating, looking back to the house she is leaving. Her parents? A cruel uncle? A disinterested stepmother? So many questions. 

(via perstephsanscouronne)

pmikos:





William McGregor Paxton
The Breakfast
 (Note: Paxton, 1869-1941, was an American impressionist painter who studied on scholarship at Cowles Art School in Boston, Massachusetts, USA, and later in Paris with Jean-Leon Gerome.
 This contemplative and lonely lady is the central subject in this oil on canvas from 1911. Paxton was best known as a portrait painter who was particularly clever with details in light, flesh and fabrics. He was one of the founders of the Guild of Boston Artists. — A Thousand Winds)

pmikos:

William McGregor Paxton

The Breakfast

 (Note: Paxton, 1869-1941, was an American impressionist painter who studied on scholarship at Cowles Art School in Boston, Massachusetts, USA, and later in Paris with Jean-Leon Gerome.

 This contemplative and lonely lady is the central subject in this oil on canvas from 1911. Paxton was best known as a portrait painter who was particularly clever with details in light, flesh and fabrics. He was one of the founders of the Guild of Boston Artists. — A Thousand Winds)

(via perstephsanscouronne)

baralgin:

Song Of The Week


The Avalanches - ‘Frontier Psychiatrist’



Is Dexter ill, Is Dexter ill, Is Dexter ill
Is Dexter I’ll today, Mr Kirk, Dexter’s in school
I’m afraid he’s not, Miss Fishborne
Dexter’s truancy problem is way out of hand
The Baltimore County school board have decided to expel
Dexter from the entire public school system

Oh Mr Kirk, I’m as upset as you to learn of Dexter’s truancy
But surely, expulsion is not the answer!
I’m afraid expulsion is the only answer
It’s the opinion of the entire staff that Dexter is criminally insane

That boy needs therapy, psychosomatic,
That boy needs therapy, purely psychosomatic
That boy needs therapy
Lie down on the couch! What does that mean?
You’re a nut! You’re crazy in the coconut!
What does that mean? That boy needs therapy
I’m gonna kill you, that boy needs therapy
Grab a kazoo, let’s have a duel
Now when I count three
That, that, that, that, that boy.. boy needs therapy
He was white as a sheet
And he also made false teeth

Avalanches is above, business continues below
Did I ever tell you the story about
Cowboys! M-M-midgets, the indians and, Fron, Frontier Psychiatrist
I… I felt strangely hypnotised
I was in another world, a world of 20.000 girls
And milk! Rectangles, to an optometrist, the man with the golden eyeball
And tighten your buttocks, pour juice on your chin
I promise my girlfriend I’d, the violin, violin, violin …

Frontier Psychiatrist
Frontier, frontier, frontier, frontier
Frontier, frontier, frontier, frontier
Frontier, frontier, frontier, frontier

That boy needs therapy, psychosomatic
That boy needs therapy, purely psychosomatic
That boy needs therapy
Lie down on the couch, what does that mean?
You’re a nut! You’re crazy in the coconut!
What does that mean? That boy needs therapy
I’m gonna kill you, that boy needs therapy
Ranagazoo, let’s have a tune
Now when I count three
That, that, that, that, that boy.. boy needs therapy
He was white as a sheet
And he also made false teeth

Frontier Psychiatrist

Can you think of anything else that talks, other than a person?
A-a a-a-a-a, a bird? Yeah!
Sometimes a parrot talks
Hello hello hello hello
Ha ha ha ha ha !!!!
Yes, some birds are funny when they talk
Can you think of anything else?
Um, a record, record, record !

(Source: youtube.com)

therealkatiewest:

nicenfroosh:

german reggae.

it’s kinda magic. ridiculously magic.

I was sitting here trying to explain to Matt why Tumblr is the most magical place on the internet; trying to explain shipping, and reaction gifs, tumblr synchronicity, those posts with all the reblog comments that are absolutely perfect, etc.; when this came up and I was all distracted and delighted like, “Ohh! German reggae? What is this? *click*” And Matt was finally like, “I understand.”

ilu, tumblr.

(via burningfp)

matthieuforichon:

Couverture du magazine LIRE (décembre 12/janvier 13)

matthieuforichon:

Couverture du magazine LIRE (décembre 12/janvier 13)