rogerwilkerson:

Mother’s Day, detail from 1951 Whitman’s Candy ad.

rogerwilkerson:

Mother’s Day, detail from 1951 Whitman’s Candy ad.

(via atompunk)

atompunk:

Dutch poster advertising an event 1951

atompunk:

Dutch poster advertising an event 1951

(Source: darkladyofthelowlands)

"Concerning all acts of initiative (and creation), there is one elementary truth, the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then Providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision, raising in one’s favor all manner of unforeseen incidents and meetings and material assistance, which no man could have dreamed would have come his way. Whatever you can do, or dream you can do, begin it. Boldness has genius, power, and magic in it. Begin it now."

— William Hutchinson Murray, The Scottish Himalayan Expedition (1951)

(Source: zerogate)

124daisies:

Front cover of the official guide to the Festival of Britain, 1951

124daisies:

Front cover of the official guide to the Festival of Britain, 1951

books0977:

Leslie Caron reading in her dressing room during the filming of The Man with a Cloak, 1951.
Caron (French, 1931-) is a film actress and dancer best known for the musical films such as An American in Paris (1951).
The Man with a Cloak is a drama film based on “The Gentleman from Paris,” a short story by John Dickson Carr.

books0977:

Leslie Caron reading in her dressing room during the filming of The Man with a Cloak, 1951.

Caron (French, 1931-) is a film actress and dancer best known for the musical films such as An American in Paris (1951).

The Man with a Cloak is a drama film based on “The Gentleman from Paris,” a short story by John Dickson Carr.

(via atompunk)

tusona



Ruth Orkin. Jinx with Statue
dodgenburn:

Ruth Orkin (1921-1985, USA) - American Girl in Florence, Italy, 1951
On August 22, 1951, on the Piazza della Repubblica in Florence, Ruth Orkin, a 29 year old aspiring photojournalist, took the photograph that made her famous. The image of a young woman walking through a thicket of men was considered risqué in its time but since then it has become one of the most famous pictures taken.The image is such a perfect and classical composition that some critics to question whether or not the scene was staged. Orkin never hid the fact that the shot was not entirely spontaneous, and spoke of having directed some minor elements of the scene. Whether “real” or not, the image remains an icon of street photography to this day. 
In Florence Orkin had met Ninalee “Jinx” Allen Craig, an art student and fellow American who became the model for a series Orkin originally titled Don’t Be Afraid to Travel Alone, based on their joint experience as women travelling alone in Europe in the 1950s. Orkin photographed Craig shopping in the markets, crossing traffic, riding a carriage and flirting at a cafe. By chance the two came upon the now famous pack of men. Orkin turned around and photographed Craig behind her. “I clutched my shawl to me because that sheaths the body,” says Craig. “It was my protection, my shield. I was walking through a sea of men.” Craig today admits, “I was enjoying every minute of it. They were Italian and I love Italians.” Orkin asked Craig to walk through again, and with that she captured the famous image. It took only two exposures. The photograph was first published in Cosmopolitan magazine in 1952 and it was later it was picked up by Kodak to encourage young photographers. 

dodgenburn:

Ruth Orkin (1921-1985, USA) - American Girl in Florence, Italy, 1951

On August 22, 1951, on the Piazza della Repubblica in Florence, Ruth Orkin, a 29 year old aspiring photojournalist, took the photograph that made her famous. The image of a young woman walking through a thicket of men was considered risqué in its time but since then it has become one of the most famous pictures taken.The image is such a perfect and classical composition that some critics to question whether or not the scene was staged. Orkin never hid the fact that the shot was not entirely spontaneous, and spoke of having directed some minor elements of the scene. Whether “real” or not, the image remains an icon of street photography to this day. 

In Florence Orkin had met Ninalee “Jinx” Allen Craig, an art student and fellow American who became the model for a series Orkin originally titled Don’t Be Afraid to Travel Alone, based on their joint experience as women travelling alone in Europe in the 1950s. Orkin photographed Craig shopping in the markets, crossing traffic, riding a carriage and flirting at a cafe. By chance the two came upon the now famous pack of men. Orkin turned around and photographed Craig behind her. “I clutched my shawl to me because that sheaths the body,” says Craig. “It was my protection, my shield. I was walking through a sea of men.” Craig today admits, “I was enjoying every minute of it. They were Italian and I love Italians.” Orkin asked Craig to walk through again, and with that she captured the famous image. It took only two exposures. The photograph was first published in Cosmopolitan magazine in 1952 and it was later it was picked up by Kodak to encourage young photographers. 

(via atompunk)

greeneyes55:

Florence 1951
Photo: Ruth Orkin

greeneyes55:

Florence 1951

Photo: Ruth Orkin

(via atompunk)


Leslie Caron in her dressing room during the filming of The Man with a Cloak,1951.

Leslie Caron in her dressing room during the filming of The Man with a Cloak,1951.

(via whenwewerecool)

a-l-ancien-regime:

Phantoms of Venice, black and white giants inspired from an old carnival. Costumes created by Salvador Dalì  for the ball held by de Charles De Beistegui in Venice in 1951

a-l-ancien-regime:

Phantoms of Venice, black and white giants inspired from an old carnival. Costumes created by Salvador Dalì  for the ball held by de Charles De Beistegui in Venice in 1951

(via atompunk)