judasinvictus:

‘An archangel locks the Hellmouth’ from the Winchester Psalter. The Winchester Psalter is an English 12th-century manuscript

judasinvictus:

‘An archangel locks the Hellmouth’ from the Winchester Psalter. The Winchester Psalter is an English 12th-century manuscript

(via sertetlen)

jothelibrarian:

Pretty medieval manuscript of the day is another ship. This line drawing is quite different to many of the other illustrations we’ve looked at. There’s movement in the sails, and a sense of perspective which is lacking in many other manuscripts. I don’t know the context of the drawing - whether it is an original piece of art, or an extreme example of marginalia. The facing page is painted and illuminated in an entirely different style.
The book dates from the fifteenth century and is by Gregorio Dati. 
Image source: New York Public Library, Spencer Collection MS MA 110. Image believed to be in the public domain.

jothelibrarian:

Pretty medieval manuscript of the day is another ship. This line drawing is quite different to many of the other illustrations we’ve looked at. There’s movement in the sails, and a sense of perspective which is lacking in many other manuscripts. I don’t know the context of the drawing - whether it is an original piece of art, or an extreme example of marginalia. The facing page is painted and illuminated in an entirely different style.

The book dates from the fifteenth century and is by Gregorio Dati. 

Image source: New York Public Library, Spencer Collection MS MA 110. Image believed to be in the public domain.

jothelibrarian:

Pretty medieval manuscript of the day shows the archangel Gabriel appearing to Zachary. I can’t help but smile as I look at it… Zachary looks like he’s had an almighty shock, and let’s face it - Gabriel does look a mite terrifying!
Image source: Tres Riches Heures. Image declared as public domain on Wikimedia Commons.

Do not be afraid Zachary for your petition been heard. You wife Elizabeth shall bear a son, and you shall call his name John. You shall have joy and gladness, and many will rejoice at his birth . For he shall be great before the Lord and shall drink no wine or strong drink. He shall be filled with the Holy Spirit even from his mother’s womb. He shall bring back to God many of the children of Israel. He shall himself go before the Lord in the desert, and, in the power of Elijah, turn the house of father’s to their children and the unbelieving to the wisdom of the just to prepare for the Lord a perfect people.
jothelibrarian:

Pretty medieval manuscript of the day shows the beginning of a journey. A wealthy man, described by the cataloguers at the New York Public Library as an official, is setting off with his retinue.
Image source: New York Public Library, Spencer Collection MS006. Image believed to be in the public domain.

jothelibrarian:

Pretty medieval manuscript of the day shows the beginning of a journey. A wealthy man, described by the cataloguers at the New York Public Library as an official, is setting off with his retinue.

Image source: New York Public Library, Spencer Collection MS006. Image believed to be in the public domain.

savage-america:

Bal des Ardents
great featured article on wikipedia today, check it out. 

Caption note at Wikipedia: “The Bal des Ardents depicted in a 15th-century miniature from Froissart’s Chronicles. The Duchess of Berry holds her blue skirts over a barely visible Charles VI of France as the dancers tear at their burning costumes. One dancer has leapt into the wine vat; in the gallery above, musicians continue to play.”

savage-america:

Bal des Ardents

great featured article on wikipedia today, check it out. 

Caption note at Wikipedia: “The Bal des Ardents depicted in a 15th-century miniature from Froissart’s Chronicles. The Duchess of Berry holds her blue skirts over a barely visible Charles VI of France as the dancers tear at their burning costumes. One dancer has leapt into the wine vat; in the gallery above, musicians continue to play.”

jothelibrarian:

Pretty medieval manuscript of the day is a Joshua, leading the way at Jericho. It is one of many historiated initials from one of the Walters Museum’s finest manuscripts. They provide the following description:
“This large-scale manuscript contains the first eight Old Testament books, Genesis through Ruth. The date of completion is given, February 2, 1507. The illumination of the Creation within a cosmographic scheme is based in part on the woodcut illustrations of Creation in the 1483 Koberger Bible, and the 1493 Nuremberg Chronicle by the same printer. Large historiated initials mark the beginning of each book. This large format form of the bible was revived in the low countries and Rhineland in the mid fifteenth century, and later in the century they were being made in south east Germany and Bohemia. The style of the miniatures in this manuscript is typical of upper Austrian miniature painting of the later fifteenth century.”

Image source: Walters Museum MS W.805. Creative Commons licensed via Flickr.

jothelibrarian:

Pretty medieval manuscript of the day is a Joshua, leading the way at Jericho. It is one of many historiated initials from one of the Walters Museum’s finest manuscripts. They provide the following description:

“This large-scale manuscript contains the first eight Old Testament books, Genesis through Ruth. The date of completion is given, February 2, 1507. The illumination of the Creation within a cosmographic scheme is based in part on the woodcut illustrations of Creation in the 1483 Koberger Bible, and the 1493 Nuremberg Chronicle by the same printer. Large historiated initials mark the beginning of each book. This large format form of the bible was revived in the low countries and Rhineland in the mid fifteenth century, and later in the century they were being made in south east Germany and Bohemia. The style of the miniatures in this manuscript is typical of upper Austrian miniature painting of the later fifteenth century.”

Image source: Walters Museum MS W.805. Creative Commons licensed via Flickr.

jothelibrarian:

Pretty medieval manuscript of the day is a juggler! Look at this chap, and how high he throws the golden plate! It is from a fourteenth century French manuscript which also has scenes of jousting and medieval sport.
Image source: Walters Manuscript MS W 104.  Image declared as public domain on Wikimedia Commons.

jothelibrarian:

Pretty medieval manuscript of the day is a juggler! Look at this chap, and how high he throws the golden plate! It is from a fourteenth century French manuscript which also has scenes of jousting and medieval sport.

Image source: Walters Manuscript MS W 104.  Image declared as public domain on Wikimedia Commons.

jothelibrarian:

Pretty medieval manuscript of the day is an illustration of a vision of the apocalypse. I thought the drawing of the dragon was fabulous, with it’s twisted, knotted tail, and gnarled claws.
Image source: New York Public Library, MA 15. Image believed to be in the public domain.

jothelibrarian:

Pretty medieval manuscript of the day is an illustration of a vision of the apocalypse. I thought the drawing of the dragon was fabulous, with it’s twisted, knotted tail, and gnarled claws.

Image source: New York Public Library, MA 15. Image believed to be in the public domain.

zerogate:

Detail of a miniature of Alexander the Great, in a cage, being carried aloft by griffins.

zerogate:

Detail of a miniature of Alexander the Great, in a cage, being carried aloft by griffins.

jothelibrarian:

Pretty medieval manuscript of the day shows St Alphege (or St Ælfheah if you dig Old English), the Archbishop of Canterbury who was martyred on the 19th April 1012, one thousand years ago.
Alphege’s story is a fascinating one. D.H. Farmer summarises it in the ‘Oxford dictionary of saints’. This is a long quote, but Alphege’s life (and death) were so extraordinary I really didn’t feel I could edit any part of it out:

ALPHEGE (1) (Ælfheah, Elphege) (c.953-­1012), archbishop of Canterbury and martyr. He became a monk at Deerhurst (Glos.), but after some years retired to be a hermit in Somerset. Dunstan appointed him abbot of Bath, a community largely composed of Alphege’s former disciples. In 984 he became bishop of Winchester. 
in succession to Ethelwold; he became known for personal austerity and lavish almsgiving. In 994 Ethelred the Unready sent Alphege to parley with the Danes Anlaf and Swein, who had raided both London and Wessex. The Anglo­ Saxons paid tribute, but Anlaf became a Christian and promised he would never again come to England ‘with warlike intent’. This promise was kept.
In 1006 Alphege succeeded Aelfric as archbishop of Canterbury and received the pallium at Rome. Meanwhile Ethelred had proved unable to defeat or even control the Danish invaders. In 1011 they overran much of southern England; the Danegeld tribute paid to them did not prevent them from further pillage and other acts of war. In September they besieged Canterbury, and captured it through the treachery of an Anglo­ Saxon archdeacon Ælfmaer. For seven months they imprisoned Alphege with other magnates and demanded ransom. This was paid for the other prisoners, but the sum required for the archbishop was the enormous one of £3,000. Alphege refused to pay and forbade his people to do so. The Danes were so infuriated that. after a feast at which they got drunk, they killed him with the bones of oxen: an axeman delivered the final blow. This took place at Greenwich; Alphege was buried in St. Paul’s Cathedral, London. By his death he became a national hero.
When Cnut became king of England (1016) his policy, after a short period of violence, was one of reconciliation be. tween Anglo­Saxon and Dane. This found expression in the endowment of the abbey of *Edmund at Bury, and in the translation of the body of Alphege to Canterbury (1023). It was buried to the north of the high altar, where the monks venerated it for long afterwards at the beginning and end of each day.
Although the feast was present in several regional calendars of pre­Conquest England. Lanfranc (archbishop of Canterbury 1070-­89) questioned his cult, particularly as a martyr. He consulted Anselm. who replied that Alphege was a martyr for justice as John the Baptist was a martyr for truth. Eventually Lanfranc confirmed the cult and commissioned the Canterbury monk Osbern to write a Life and Office in his honour.
The discovery that the body of Alphege was incorrupt (1105) led to an increase in the cult, while in his last sermon Thomas Becket alluded to Alphege as Canterbury’s first martyr, and just before his death commended his cause to Cod and St. Alphege. In the long run, however, the Becket cult overshadowed that of Alphege. Feasts: 19 April (all over England); Ordination (16 November) and Translation (8 June) at Canterbury.
Farmer, D.H., ‘The Oxford dictionary of saints’, (1997), via EBSCOhost [accessed 15 April 2012].

What a dramatic tale of politics, and Viking invaders!
Image source: Fifteenth century French manuscript. Image declared as public domain on Wikimedia Commons because its copyright has expired.

jothelibrarian:

Pretty medieval manuscript of the day shows St Alphege (or St Ælfheah if you dig Old English), the Archbishop of Canterbury who was martyred on the 19th April 1012, one thousand years ago.

Alphege’s story is a fascinating one. D.H. Farmer summarises it in the ‘Oxford dictionary of saints’. This is a long quote, but Alphege’s life (and death) were so extraordinary I really didn’t feel I could edit any part of it out:

ALPHEGE (1) (Ælfheah, Elphege) (c.953-­1012), archbishop of Canterbury and martyr. He became a monk at Deerhurst (Glos.), but after some years retired to be a hermit in Somerset. Dunstan appointed him abbot of Bath, a community largely composed of Alphege’s former disciples. In 984 he became bishop of Winchester. 

in succession to Ethelwold; he became known for personal austerity and lavish almsgiving. In 994 Ethelred the Unready sent Alphege to parley with the Danes Anlaf and Swein, who had raided both London and Wessex. The Anglo­ Saxons paid tribute, but Anlaf became a Christian and promised he would never again come to England ‘with warlike intent’. This promise was kept.

In 1006 Alphege succeeded Aelfric as archbishop of Canterbury and received the pallium at Rome. Meanwhile Ethelred had proved unable to defeat or even control the Danish invaders. In 1011 they overran much of southern England; the Danegeld tribute paid to them did not prevent them from further pillage and other acts of war. In September they besieged Canterbury, and captured it through the treachery of an Anglo­ Saxon archdeacon Ælfmaer. For seven months they imprisoned Alphege with other magnates and demanded ransom. This was paid for the other prisoners, but the sum required for the archbishop was the enormous one of £3,000. Alphege refused to pay and forbade his people to do so. The Danes were so infuriated that. after a feast at which they got drunk, they killed him with the bones of oxen: an axeman delivered the final blow. This took place at Greenwich; Alphege was buried in St. Paul’s Cathedral, London. By his death he became a national hero.

When Cnut became king of England (1016) his policy, after a short period of violence, was one of reconciliation be. tween Anglo­Saxon and Dane. This found expression in the endowment of the abbey of *Edmund at Bury, and in the translation of the body of Alphege to Canterbury (1023). It was buried to the north of the high altar, where the monks venerated it for long afterwards at the beginning and end of each day.

Although the feast was present in several regional calendars of pre­Conquest England. Lanfranc (archbishop of Canterbury 1070-­89) questioned his cult, particularly as a martyr. He consulted Anselm. who replied that Alphege was a martyr for justice as John the Baptist was a martyr for truth. Eventually Lanfranc confirmed the cult and commissioned the Canterbury monk Osbern to write a Life and Office in his honour.

The discovery that the body of Alphege was incorrupt (1105) led to an increase in the cult, while in his last sermon Thomas Becket alluded to Alphege as Canterbury’s first martyr, and just before his death commended his cause to Cod and St. Alphege. In the long run, however, the Becket cult overshadowed that of Alphege. Feasts: 19 April (all over England); Ordination (16 November) and Translation (8 June) at Canterbury.

Farmer, D.H., ‘The Oxford dictionary of saints’, (1997), via EBSCOhost [accessed 15 April 2012].

What a dramatic tale of politics, and Viking invaders!

Image source: Fifteenth century French manuscript. Image declared as public domain on Wikimedia Commons because its copyright has expired.